Share article:
Share article:

Read this story and all the best stories on The Luminous Landscape

The author has made this story available to Luminous Landscape members only. Upgrade to get instant access to this story and other benefits available only to members.

Why choose us?

Luminous-Landscape is a membership site. Our website contains over 5300 articles on almost every topic, camera, lens and printer you can imagine. Our membership model is simple, just $2 a month ($24.00 USD a year). This $24 gains you access to a wealth of information including all our past and future video tutorials on such topics as Lightroom, Capture One, Printing, file management and dozens of interviews and travel videos.

  • New Articles every few days
  • All original content found nowhere else on the web
  • No Pop Up Google Sense ads – Our advertisers are photo related
  • Download/stream video to any device
  • NEW videos monthly
  • Top well-known photographer contributors
  • Posts from industry leaders
  • Speciality Photography Workshops
  • Mobile device scalable
  • Exclusive video interviews
  • Special vendor offers for members
  • Hands On Product reviews
  • FREE – User Forum. One of the most read user forums on the internet
  • Access to our community Buy and Sell pages; for members only.
Share article:
James Porto constructs fantastical worlds that balance the real with the unreal for advertising and editorial clients. The photographs are sumptuously rich in texture and detail, multi-layered and thought-provoking, and are designed to challenge the viewer's sense of reality. In his earlier work, James used elaborate darkroom and in-camera processes to assemble his photographs and in 1992 pioneered the use of digital tools. Working as both a photographer and retoucher, James takes responsibility for every facet of the process, from pre-production to final delivery of files, resulting in a singular vision. He works collaboratively with art directors, editors and designers to create images tailored to their specifications whether it’s the immediate read of an advertising concept or a haunting illustration of an editorial theme. James is a restless experimenter with light, a problem solver who loves a challenge, a focused, engaged director of talent and an energetic, enthusiastic, conceptual thinker. Advertising Clients / Absolut, Adidas, American Express, AT&T Bell Helicopters, Blue Man Group, Epson, IBM Ilford, Kodak, Lockheed, Motorola, Nike, Pepsi, Radio City Rockettes, Reebok, Seagrams, Sony, Texas Instruments, Verizon. Editorial Clients / American Photo, Business Week, ESPN, Fortune, Forbes, Glamour, GQ, New York Times Magazine, Newsweek, New York, Photo Italia, Rolling Stone. Scientific American. Sports Illustrated Swimsuit, Time, and Wired
See all articles by this author

You may also like

Lecia Monopan 50
Camera & Technology

Leica's $10 Film: Is Monopan 50 Worth the Premium?

Leica's first 35mm film costs $10 versus $7.50 for seemingly identical Adox HR-50 - is the red dot worth 33% more?
Jon Swindall

Jon Swindall

·

June 20, 2025

·

7 minutes read


Sigma 17-40mm f/1.8 DC Art
Camera & Technology

Sigma's Bold Gamble: The 17-40mm f/1.8 That APS-C Shooters Never Saw Coming

Sigma 17-40mm f/1.8 DC Art review: The first constant f/1.8 APS-C zoom lens delivers prime-quality performance for Sony, Fuji, Canon, and L-mount cameras.
Jon Swindall

Jon Swindall

·

June 17, 2025

·

7 minutes read